Thursday, November 28, 2019
The reasons behind Harolds visit to Normandy Essay Example For Students
The reasons behind Harolds visit to Normandy Essay Why wouldnt Harold on his journey through Normandy want to learn some inside knowledge on the ferocity and might of the hugely powerful Norman army. Also, to get a chance to see the man behind the Bastard to his counterparts or Duke William to those who feared him. William had sent shivers down the spines of those who crossed him even at the fragile age of fourteen. He had won conflicts and conquests over many countries and his forces and cavalry were increasing by the minute. It was almost inevitable that the two countrys, Britain and Normandy, were going to cross each other in the near future therefore Harold could have seen his little escapade to retrieve his family as a chance to see his tactics and strength on the battlefield first hand. It was reported that during Harolds comfortable stay with William they together went on a little conquest in which Harold saw the well-publicised horsepower of the Norman army. Whilst fighting on the battlefield it was also reported in the Bayeux Tapestry that Harold pulled two soldiers from their death in the quick sand. We will write a custom essay on The reasons behind Harolds visit to Normandy specifically for you for only $16.38 $13.9/page Order now This obviously impressed the battle shy duke. Whilst on his European tour it is claimed he was trying to gain support from anyone who had an army behind them which therefore led him to Normandy. If there is any truth behind the story it may seem a little foolish on Harolds behalf but possibly he was not to know how strongly and desperately William felt towards his claim to the throne. Either way how or when he ended up as Duke Williams guest is irrelevant to how significant the event was. Williams main objective was to soften Harold up until eventually getting him to sign the all-important oath. In the days of 1064 an oath was worth a lot more than what it is today. However an oath over religious relics would be an immortal sin and if done and then ignored William would have had the power to wage a holy war against Harold. Oblivious to the fact that he was making an oath over religious relics Harold was pressured into agreeing to the oath and in doing so gave Williams claim to the throne another giant leap to reality. The ideology behind the relics was that William now had witnesses to prove Harolds probable blasphemy and in turn gaining the support of the pope. This visit was extremely significant in that William now felt he had a moral ascendancy over Harold, which could later be used to undermine Harolds position. Harold knew too well the consequences if he refused to sign the oath, imprisonment or even more likely death. If William wanted something he usually tended to get it. Another point of key significance from the outcome of these events was the personal experience of Harold after seeing the force and strength, which the Norman army possessed. This would then become very resourceful when the inevitable conquest from William did come. Walker quotes Although an apparently disastrous expedition, Harold may have gained something from it. He was finally fully aware of Williams ambitions and the determination that lay behind them. I feel the greatest importance however which had the greatest effect on the history of Britain was the first considerations from Harold that his country needed a true leader, both on the battle front and in the running of the country. It was after this catastrophic journey that he first realised that the Aethling Edgar was still too young and inexperienced to defend his country against the now obvious might of the Normans. This may have been the initial step to the eventual succession to the throne in 1066. The reasons as to why the visit to Normandy took place are still unknown however what we do know is that the effects had played a major role in British History. .u84717a871e0b4b743778e5cee0e1aa89 , .u84717a871e0b4b743778e5cee0e1aa89 .postImageUrl , .u84717a871e0b4b743778e5cee0e1aa89 .centered-text-area { min-height: 80px; position: relative; } .u84717a871e0b4b743778e5cee0e1aa89 , .u84717a871e0b4b743778e5cee0e1aa89:hover , .u84717a871e0b4b743778e5cee0e1aa89:visited , .u84717a871e0b4b743778e5cee0e1aa89:active { border:0!important; } .u84717a871e0b4b743778e5cee0e1aa89 .clearfix:after { content: ""; display: table; clear: both; } .u84717a871e0b4b743778e5cee0e1aa89 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u84717a871e0b4b743778e5cee0e1aa89:active , .u84717a871e0b4b743778e5cee0e1aa89:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u84717a871e0b4b743778e5cee0e1aa89 .centered-text-area { width: 100%; position: relative ; } .u84717a871e0b4b743778e5cee0e1aa89 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u84717a871e0b4b743778e5cee0e1aa89 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u84717a871e0b4b743778e5cee0e1aa89 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u84717a871e0b4b743778e5cee0e1aa89:hover .ctaButton { background-color: #34495E!important; } .u84717a871e0b4b743778e5cee0e1aa89 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u84717a871e0b4b743778e5cee0e1aa89 .u84717a871e0b4b743778e5cee0e1aa89-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u84717a871e0b4b743778e5cee0e1aa89:after { content: ""; display: block; clear: both; } READ: The Mi'kmaq-A Way Of Life EssayThe biased Norman sources lay strong suggestion to the assumption that Harold was carrying out an order from Edward however this does not seem to justify the reality behind the story. I think Harolds oath and closeness to his family brought him to Normandy and his foolishness led him to believe he could learn more off William to help his on claim for greatness. However he underestimated Williams determination and you could say he ended up paying for it. What is known is that Harold soon realised there was only one man who could fill the boots of Edward and so he took it upon himself to do so.
Monday, November 25, 2019
Richard Wagners Masterwork, Tristen and Isolde essays
Richard Wagner's Masterwork, Tristen and Isolde essays Richard Wagner is identified as one of the most influential and controversial figures throughout the history of opera. He is also responsible for the creation of a new type of singer, influencing the development of the orchestra, producing new instruments as well as a number of developments in theater. Wagner is responsible for the dissolution and destruction of tonality. Wagner wrote 13 very successful operas. His methods of composition show a move away from major and minor keys and the typical classical key relationships. This is especially relevant in his later works. This brought a new type of musical language and structure based on a musical theme called a leitmotif as its basic building block. Wagner was not only a musician and a composer, but he was also a musical dramatist. If you were to separate his music from the drama you would miss so much of the magic that is brought out in the operas entirety. Richard Wagner was born in Leipzig, Germany on the 22 of May 1813, to his mother Johanna and his father, Carl Friedrich Wagner. Although Carl was labelled his official father, it is unknown if he or the actor/painter Ludwig Geyer is the real father. The parentage of Richard Wagner is still a mater of dubiety. Ludwig is considered Wagners adopted father who took responsibility for the child on Carl Friedrichs death in November 1813, may possibly have been the real father. Wagner was involved in theater and drama from an early age. He spent his early years between Dresden and Leipzig. During his teens Wagner became interested in music causing his grades in other subjects to suffer. In 1831, after studying harmony with a local teacher, Wagner studied music in Leipzig University. Many of Wagners talents were self-taught and this is evident from his autobiography where Wagner wrote about his musical education in order to cultivate the notion of the untutored geniu...
Thursday, November 21, 2019
Problem question Essay Example | Topics and Well Written Essays - 2500 words
Problem question - Essay Example Donoghue became ill after consuming a drink which contained a decomposed snail. The House of Lords found that she did have a valid claim against the manufacturer of the drink. A three-step criterion later emerged, which was solidified in the case of Caparo Industries Plc v Dickman.5 A duty between defendant and claimant exists in the presence of a reasonable forseeability of harm, a relationship of proximity between defendant and claimant, and it being just, fair and reasonable to impose liability on the defendant for his careless actions.6 In the present matter, the police were at the festival in order to provide security and crowd control. Based on the number of people in the park, a reasonable forseeability of harm did exist. The facts state that the amount of people in the park threatened to become a safety hazard. A relationship of proximity existed between the police and everybody at the festival, since their job was to provide security at the festival. ... each of duty occurred.7 The test asks whether the actions of the defendant were below the threshold of a ââ¬Å"reasonable manâ⬠.8 Defendant must perform his job as a reasonably skilled and competent person.9 On the night of the festival, in an effort to control the crowd, the police erected barriers and cordoned off the area of the park where the band was playing. By doing so, they had not lessened the number of people, but had virtually trapped the people that were there. A ââ¬Å"reasonable manâ⬠would not trap a crowd of people when there was already a concern about the number of people in the area. Instead, perhaps dispersing the crowd or refusing entrance to additional people would seem better alternatives. Simple causation is established if ââ¬Å"but forâ⬠the actions of the defendant the harm would have occurred.10 The case of McGhee v National Coal Board is usually followed when determining causation.11 With regard to the Jigger matter, since the police had t rapped the people around the stage area, they had no means of escape when the crowd panicked. The surging crowd was also trying to escape, crushing anybody in their path, causing Mike Jigger and Uncle Lewisââ¬â¢ injuries. Finally, the fourth element of negligence is the injury cannot be very remote from the breach that occurred. In the present matter, the claimantsââ¬â¢ injuries occurred almost immediately after the breach. Therefore, this element of negligence is satisfied. Based on a review of the facts, it appears that Mike Jigger and Uncle Lewis can establish a claim against the police for negligence. None of the three main defenses to negligence liability appear to be available to the police in this matter. Volenti non fit injuria is a Latin phrase meaning ââ¬Å"to the willing, no injury is done.â⬠This defense
Wednesday, November 20, 2019
Global running and competitive situation analysis of YUM Brands, Inc Essay
Global running and competitive situation analysis of YUM Brands, Inc. 182 - Essay Example This is because the company competes in a more like middle-size place with competitors like McDonaldââ¬â¢s Corp and Doctorââ¬â¢s Associates Inc. being considered the large-size and small-size respectively. An outstanding characteristic of YUM is that as a food provider, it has a limitless number of target market which is partly a reason for its periodic yearly growth in revenue and net incomes as seen in table 1 below. the financial success of the company has been achieved with over 1,500,000 employees around the world and with divisions in China and India, as well as subsidiaries including KFC and Pizza Hut (Cash, 2012). The contribution of the restaurant industry in global economics cannot be overemphasized. Interestingly, apart from the contributions made by the industry already, it is expected to grow even further. From the figure below, it will be noted that by 2018, the value of the industry is expected to reach à £1,945 billion by 2018, which is 42.6% of growth since 2013. Again, according to MarketLine (2014), the industry is expected to play key role in reducing unemployment and thus improving the global economic outlook with a volume of 69,119 thousand employees, representing a growth of 10.8% from 2013 size.YUM however places a versatile role in the industry as its company dynamics represents what prevails with most other industry players (Narayan, 2013). YUM was therefore selected for its representative nature in business. Within the larger global food industry, restaurants and cafes are known to have the largest segment in terms of category segmentation. MarketLine (2014) actually estimates these two to contribute to 53.8% of the industryââ¬â¢s total value. This means that the growth of restaurant and cafes represent the overall growth of the restaurant or food industry. The aim of the research is therefore to find out ways in which the restaurant industry can reach its forecasted growth levels through the individual global competitive growth
Monday, November 18, 2019
Product Attractiveness and Competition in the Market Full Of Assignment
Product Attractiveness and Competition in the Market Full Of Competitors - Assignment Example The paper focuses developing a suitable tactical marketing mix strategy. The significance of tactical marketing mix on product performance is reflected. This part of the paper exemplifies how the product, its price, placement, and promotion techniques influence demand and market share. Additionally, the significance of emerging technologies, such as the internet and media, on marketing is discussed. Generally, the research focuses on the importance of pertinent exit strategy and a tactical marketing mix strategy to a business. At the end of the discussion is a conclusion of all the aspects that have been covered in the study. The sale of a product is largely dependent on consumer taste and preference. Toyota car models, such as Subaru legacy, are in great demand in America and other parts of the world. The car is a choice for many due to its reliability and excellent services. The features of the car are eye-catching and the general outlook is amazing. Subaru legacy is preferred to o ther cars for its economical fuel consumption, resistance to wear and tear, high-speed safety and many other features. However, the car face stiff competition from other luxuries car models from other companies such Honda and Ford. New car models introduced by these rival companies are a threat to the automobile market. As a result, Toyota Company has introduced new and more advanced Subaru legacy models to secure a market share. An exit strategy is basically transition of a companyââ¬â¢s ownership, either after achieving the expected objective or to evade failure in future. It is necessary to devise means of recovering invested capital in the event of exiting a business. This can only be made possible by developing an effective exit strategy. According to Hawkey, the type of an exit strategy to be adopted depends on the kind of business undertaken by a company. The best way to make an exit strategy is to initiate a business with the end in mind.Ã
Friday, November 15, 2019
Event design and experience
Event design and experience Introduction Before we can discuss what an event is we must understand what the definition of event design is, for the purpose of this report we shall be employing a definition taken from EMBOK which we feel is the clearest definition. Event management is the process by which an event is planned, prepared and produced. As with any other form of management, it encompasses the assessment, definition, acquisition, allocation, direction, control and analysis of time, finances, people, products, services and other resources to achieve objectives. An event a mangers job is to oversee and arrange every aspect of an event, including researching, planning, organizing, implementing, controlling and evaluation and events design, activities and production. Silver (2004a) Update EMBOK structure. Chicago the theatrical musical was performed at the Kings Theatre, Glasgow and was attended on the 10th October 2009. For the purpose of this report we shall be looking at the how the event was staged and the interaction of the performers, audience members and stakeholders which when put together would hopefully make the experience a positive one for all those involved. The first known record of theatre was noted by historians in the performance of the sacred plays of the myth of Osiris and Isis in 2500 BC in Egypt. This story of the god Osiris was performed by the Egyptians annually at festivals throughout its civilization and thus marking the beginning of a long relationship between theatre and religion. Theatre has also played a large part in society by interacting with the public as well as entertaining and educating them. Description of Event The main purpose of modern theatre is to entertain the customer and as such that is the main reason why people in 2010 attend productions. Kings Theatre, Glasgow was opened in 1904 at such a time when Glasgow was one of the leading industrial cities in the UK if not the world and as such the building retains a sense of history for customers who attend performances today. The performance on the night lasted 2 hours 30 minutes with one standard interval of 15 minutes after the 1st act which is common place for all theatre productions. Seating in the Kings Theatre is over 4 levels and includes Stalls, Grand Circle, Upper Circle and the Gallery and shall seat a maxim of 1,785. On the night of the 10th October the cast was performing to a Full House as it was the productions last Saturday night performance before leaving Glasgow, this factor was an added bonus when it came to the atmospheric conditions for the customers or another word for it would be an Eventscape Analysis of Elements of Interaction Interacting people At an event such as a musical not only is it the cast and audience who interact but a whole host of other people which could include the stakeholders, ticket sellers, ushers, merchanance sellers. Rossman states that to; Understand the role that relationships play in the interaction of a programme and anticipating how they may contribute to or detract from client satisfaction is an important element of place. Programmers cannot simply assume that the best course of action is always to foster or create a relationship between individuals who attend an event Rossman (2003, p.38) As such event designers do not have to provide a relationship for everyone or different groups that shall take part in the production and subsequently if they do they run the risk of over complicating the event. First contact that a customer would have had in regards to Chicago the Musical would either have been the advertisement of the event or the online or telephone booking of tickets. This is where the customer will start to make expected expectations and where the event designer and the customer can differ in their expectations, which could lead to a shortfall for the customer and disappointment for the event designer. What would be the purpose of an event if people were not going to participating in the event! The answer would be none. People are what make an event; they are what make an experience by interacting with the customers or participants. Since this report is going to be in reference to a theatrical event I shall try to include references which will refer to the theatre. Relationships Jackson argues that, not only are characters and story line likely to have the biggest impact upon audiences but the metatext (Harris et al., 2003) is an important task that needs to be undertaken for events if they are to reach their experiential goal (2005, p.8). Taking this into account and having the currant fashion of casting celebrities in leading roles in order to capitalise on multiple audience avenues, this will offer the event designer the possibility of increased numbers for the run of the production. This extra dimension could offer another market base of potential audience members who had never previously considered going to the theatre. Their first contact would have maybe been an article in a newspaper or online advertising the fact that their favourite soup star would be performing in Chicago. In this case the soup fan feels that they already have a relationship with the character but this relationship runs the risk of failing due to pre-conceived ideas and expectatio ns when the soup character is confused with the theatre character or falls short of delivery. Rules Rules play a large part in everyday life and are a guide as to how we can interact with others or situations. Rossman, 2003 states that Rules through are also codified and ceremonial and there are also rules of everyday discourse that require understanding. Looking at the example of the theatrical performance of Chicago which was performed at the Kings Theatre Glasgow, this event ran to a widely accepted template of rules and rituals. Although there are rules which are in place for the purpose of legal or for behaviour reasons, there are also polite-ceremonial rules which are also in force throughout the performance. An example of this would be that it would be deemed inappropriate for an audience member to talk or leave their seats while the performance is still taking place. Another polite-ceremonial rule would be that it would be considered rude for any audience members to eat anything which would make a noise and distract other audience members from enjoying the performance. By having rules which govern the audiences interaction of the performance this would influence the experience that the audience would have. Common place for theatrical performances is to have everyone seated at least 5 minutes before the performance is due to start this is done by the means of a tannoy annoyisment of Ladies and Gentlemen, 5 minute to curtain call. There are also rituals which take place before, during and after a performance and would be expected by the audience, if they did not take place and audience could possibly feel disappointment or even that the performance was incomplete. Audience member through past experiences and expectations now assume that the all the cast should take to the stage for one last bow and then clear the stage to be left with the leading actors for a final bow and show of appreciation . If this was not to happen I feel that the audience would continue to sit in their seats with a feeling of confusion and disappointment. Objects There are three different types of objects as stated by and they are represented by social, symbolic and physical meaning. For the purpose of the Chicago performance the object which has become symbolic for the performance would be the score which was composed by Fred Ebb according to the Internet Broadway Database (www.ibdb.com). Without this particular music the performance for Chicago would not be Chicago, it would become something else completely. Looking at the physical objects of the musical this would include the Kings Theatre building in which the performance took place. Also the characters themselves in the musical would be a physical aspect for the objects as the characters are specific to this musical and could not be transferred to another. For the Social object for the performance the audience had come together for a shared experience with most having an appreatation for musicals. They would have had to have paid for their tickets and as such would have either purchased them online or direct at the ticket office at the Kings Theatre. Physical Setting Chicago the Musical was staged as discussed earlier at the Kings Theatre, Glasgow. Possible locations for a world renowned musical to be staged in Glasgow would only include the Kings and Theatre Royal, bookings for both theatres would have been made at least 1 year in advance. Venues for theatre or musicals can vary according to many factors which could influence the choice for the event designer. Physical Setting for the event designer would also look at catchment area for customers the reason why Glasgow was chosen would include the fact that it is Scotlands largest city and that the musical had already performed at the Edinburgh Playhouse. Fortunately the performance of the musical is not synonymous with the venue and this allows the act to travel to new locations. Although the venue does change, the set in regards to the performance shall stay the same no matter where the musical is performed. This means that there is no limit to where the event can perform but also that there is continuity for the customers who do attend the event at the different locations. According to Allen el al., 2005 The relationship between event and location is often fundamental to the experience, and one useful categorisation is that given to hallmark events where the event has become linked and identified with the spirit of a particular place. Also to be included in the Physical setting of the performance would be the temperature for the audience members, whether that to be too cold, too hot or it was an outdoor event if it was raining. On the night of the 10th October the Kings Theatre, Glasgow was a capacity sell out performance and the outside temperature was pleasant for the time of year. Unfortunately for the whole of both the first and second half of the performance the inside temperature of the theatre was unbearably hot which resulted in the side emergency exists being opened to although cooler air for the cast and audience members. This aspect resulted in audiences members having a negative experience throughout the performance which could have jeopardised the whole enjoyment of the event for the audience. Animation Graham Berridge states that animation in regards to events is the most difficult of the 6 elements which we have covered in this report. Some of the most successful events are the ones that appear to be spontaneous in their design for the audience, although this is rarely the case from the event designers point of view. In regards to a theatrical performance in the terms of animation all plays, operas, musicals and theatre productions must from both the audience and the actors perceptive have structure throughout the performances although for different reasons. For the purpose of theatre the performance must have structure in order for the event to run smoothly and on schedule, this must be planned in advance. Movement, dance and choreography must be planned and rehearsed and actors must learn their lines. All this once put together would allow the audience members to feel that the performance, although staged the overlapping elements will have a flow to the design. If an audience member were to purchase a Programme Guide on the night of Chicago they would have had clear written view of the structure of the performance and the actors as well as when they could anticipate the break in the show. Conclusion In order to fully understand an event the customer or audience member must be able to analyse what has happened at that event to completely experience the full effect from the event. For people in the events industry to try and understand an event, Solomon (1983) provides the industry with a definition which will allow us to break down the process of analyse; Symbolic interactionism focuses on the processes by which individuals understand their world. It assumes that people interpret the actions of others rather than simply react to them Solomon (1983) Audience members throughout the theatrical performance shall interpret different symbols and react to them in their own way which shall result in the event designer having to anticipate every possible reaction, which is extremely difficult. Was the event a success? This question shall be answered differently for each and every audience member as each person will interpret the event in their own way. Each of Rossmans six elements will go into their event analysis and will result in understanding the event better. The theartrcal performance of Chicago runs to a well oiled plan which is easily transferred from one venue to another and has run since 1975. This allows the cast and crew to have an easy tranison between locations and would show up any potential problems to the event designers. References Allen, Judy, The Business of Event Planning. 2004 edition. John Wiley Sons Canada Ltd Anglia Ruskin University, Harvard System of Referencing Guide, Available at http://libweb.anglia.ac.uk/referencing/harvard.htm [Accessed 25/11/09] Berridge, Graham, Events Design and Experience. 2009 edition. Elsevier Butterworth Heinemann Blowdin Glenn, Allen Johny, OToole William, Harris Rob, McDonnell Ian, Events Management. 2nd Edition. Elsevier Butterworth Heinemann Internet Broadway Database, Available at http://www.ibdb.com/person.php?id=5654, [Accessed 20/12/09]
Wednesday, November 13, 2019
Feminist Criticism of Vice-presidential Nomination Acceptance Speech
Feminist Criticism of Vice-presidential Nomination Acceptance Speech Women began taking on political roles over a century ago as they fought for the right to be recognized within the governmental system in the United States. In 1920, the Nineteenth Amendment was added to the Constitution which gave women the right to vote. Since then, women have made leaps and bounds within the political sphere. However, these expansive steps were not taken easily. Constant negotiation is necessary for women in political positions. Women must negotiate between identities, values, and ideologies in order to achieve political status. Women are constantly negotiating identities between spaces and battling stereotypes based on ââ¬Å"a presupposed particular set of social arrangements respecting male and female sexual and reproductive relations which was assumed to be ââ¬Ënaturalââ¬â¢Ã¢â¬ (Clark 168). This division creates a public and private sphere ââ¬Å"by articulating one set of rules for the private sphere and another set, quite different, for the public sphere (168). Traditionally, the public sphere is viewed as the sphere for men and the private is where women belong (Wischermann 185). Gender dichotomies cause the ââ¬Å"marking of the private sphere as ââ¬Ëwomanââ¬â¢s realm,ââ¬â¢ in which work is performed out of love, and [reflect] on the way boundaries between the private and public are drawn in the context of patriarchal power structuresâ⬠(185). Women, therefore, have been limited to the private sphere which focuses on family and home. This limitation for women often dictates their behavior and frequently dictates the political platforms of women who enter politics (185). Throughout the Womenââ¬â¢s Movement, women strived ââ¬Å"to characterize the private as also... ...therhoos and Political Involvement: The Construction of Gender and Political Identities.â⬠Feminism and Psychology. 2000: 486-491. Clark, Lorenne M. G. ââ¬Å"Women and the State: Critical Theory- Oasis or Desert Island?.â⬠Canadian Journal of Women and the Law. 1992: 166-. Coletti, Elisabetta. ââ¬Å"Geraldine Ferraro.â⬠Christian Science Monitor. September 1999: 23-. English, Leona M. ââ¬Å"Negotiations in Third Space.â⬠The Journal of the Britain and Ireland School of Feminist Theology. September 2004. 97-. Farrell, Thomas J. ââ¬Å"The Female and Male Modes of Rhetoric.â⬠College English. April 1979: 909-921. Fox, Richard L. and Schuhmann, Robert A. ââ¬Å"Gender and the Role of the City Manager.â⬠Social Science Quarterly. June 2000: 605-. Wischermann, Ulla. ââ¬Å"Feminist Theories on the Separation of the Private and the Public: Looking Back, Looking Forward.â⬠Women in German. 2004: 184-.
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